Gayatri Sinha

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The Husain question will linger

The passing of Maqbool Fida Husain on Thursday in a London hospital marks the end of an epoch in Indian art. Husain’s enormously vibrant palette — more devoted in recent times to the Arab civilisation than to subjects Indian, will be laid to rest. With it will also go silent the debates around the status of a minority artist’s engagement with Indian mythology, and the failure of the modern Indian state to protect him.

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I want to begin with a little story that was told to me by a leading executive at Aptech. He was exercising in a gym with a lot of younger people.

Shekhar Kapur’s Bandit Queen didn’t make the cut. Neither did Shaji Karun’s Piravi, which bagged 31 international awards.