“At last I am safe,
My creditors do not know me...”
From The Kadkanama of Bachchoo
In Ranikhet some years ago for Subhash Ghai’s shoot of Kisna, to which I was contracted as a co-writer, I was sitting around the dinner table with the director/producer, his assistants, stars and hangers-on. An Indian film shoot is quite a mela — as Shekhar Kapur is fond of saying, some final sense and order emerges from “existing in chaos”