Tolerating intolerance

“I loved a dog He loved me back Then he found a bitch —
Alas! Alack!”
From Laments of a Petwalla by Bachchoo

The old ones are, on occasion, the best:
“The difference between Iran and Britain? In Iran you commit adultery and get stoned, in Britain you get stoned and commit adultery, boo-boom!”
That

one is descriptive and, looking at it all ways, harmless. Telling it, in Britain at any rate, shouldn’t cause you to be arrested, prosecuted or persecuted. There is, as far as my lay knowledge stretches, no law against characterising Iran as a rather nasty place or against jesting about the loose morals of Brits. But as Milan Kundera made us aware in the masterpiece that brought him and his writing to the attention of the world, a joke, however harmless, can bring the horsemen of the Apocalypse in the shape of the secret police, the apparat of the Communist Party and the Stalinist abyss to your door. Kundera’s novel is set in Soviet Czechoslovakia. The story begins with its hero being sent off to hard labour in the mines for sending a postcard to his girlfriend denigrating the optimism of Party propaganda as “the opium of the people” and wishing at the same time the renegade Trotsky a long life.
British mines have been, for the most part, shut since the regime of Margaret Thatcher and today’s Party dissidents, as far as I know, can’t be punished by being sent down them. So at least the fate of Kundera’s hero doesn’t await Counsellor Gareth Compton, the Conservative who was arrested and suspended indefinitely from the Tory Party for what he admits was a feeble attempt at a joke he posted on Twitter.
Mr Compton’s Twitter account has been closed down and today he must feel much as Kundera’s joker felt. Mr Compton has been charged by the West Midland’s police for “sending an offensive or indecent message”, racially aggravated it is said — and if he is brought to court and convicted, he faces being banned from his profession as a barrister.
Mr Compton was reacting to the broadcast opinion of the columnist Yasmin Alibhai Brown who was invited onto Radio Five Live’s Breakfast Show to talk about British Prime Minister David Cameron’s visit to China. There was a difference of opinion on whether he should condemn China’s record on human rights. Ms Brown was of the opinion that no politician had any moral right to condemn human rights abuses, not even the stoning to death of women under Sharia law.
Mr Compton Tweeted his reaction to this opinion, or perhaps passed an implicit verdict on all her opinions expressed over the years, mainly in the Independent, saying “Can someone please stone Yasmin Alibhai Brown to death? I shan’t tell Amnesty if you don’t. It would be a blessing really”.
Soon after, he posted another Tweet to say his previous Tweet was an ill-conceived attempt at humour and he didn’t mean any offence.
It is reasonable to conclude that this regretful retraction was the result of a little reflection (or of instant warnings from friends) about the possible consequences for himself, of this impulsive burst of intended humour. It certainly wasn’t a hasty retraction rescinding an order to inflict fatal harm on Ms Brown, because even a junior Conservative councillor from Erdington in Birmingham must realise that he is almost powerless to get the bins cleared on time, leave aside condemning anyone to death by stoning.
However unfunny the joke, the context, the culture, the country in which it was made, the concern that his leader Mr Cameron and Party have the moral duty to condemn the stoning to death of a woman in Iran, indicate that Mr Compton could have had no illusions or intention that his joke was any sort of “fatwa”. It wasn’t the word of an Ayatollah asking Muslims to murder Salman Rushdie. It wasn’t the word of some cleric telling his congregation that British soldiers were kafirs who should be sent to hell by any means necessary. It was a laddish, ironic joke by someone who obviously wants stoning to death condemned.
Ms Brown is not herself without a sense of historic vengeance, though perhaps a little devoid of ironic appreciation. In one exchange some years ago, if I remember correctly, Gavin Essler, a TV journalist responded to something she was saying by asking, “What’s wrong with white guys, by the way?”
Ms A-B replied, “I don’t like them. I want them to be the lost species in a hundred years”. Hitler was more ambitious.
And so to a confession: The evening before the Radio Five Live broadcast and Mr Compton’s folly, I was invited to the premiere of a play by a touring Mumbai theatre group at a West London venue. The audience was largely of South Asian origin. After the play there was a reception in the foyer and I spotted the same Yasmin Alibhai Brown speaking to some friends of mine. I am not well acquainted with Ms Brown but have met her on several occasions and exchanged anodyne pleasantries. I went up to the group, greeted my friends and said, “Hello Yasmin”.
She turned and left the group saying: “I am not speaking to you, you are dangerous”.
However flattering it may be to be deemed and dubbed “dangerous”, I was baffled as were my friends. They asked why I was dangerous. I said I was unaware of ever having given any offence, intentional or otherwise. I don’t do Twitter and I am not on any blog or website.
Then it occurred to me that the snub may have been the result of Ms Brown knowing that I am acquainted with a niece of hers, one Farah Damji, a writer and self-confessed fraudster and convict and I have been told by both that they are not friends. But then a lot of people have come across and made the acquaintance of Farah Damji and surely Ms Brown doesn’t believe that it makes them all “dangerous”.
The snub remained mildly puzzling until I remembered that I once said to someone apropos of her columns that Ms Brown “had put the ‘aunty’ back in ‘dilettante’”. I am not conscious of having put such the remark out on Twitter but it obviously got back.
Now all I can do is put the chain on and wait for the knock at dawn.

Post new comment

<form action="/comment/reply/43143" accept-charset="UTF-8" method="post" id="comment-form"> <div><div class="form-item" id="edit-name-wrapper"> <label for="edit-name">Your name: <span class="form-required" title="This field is required.">*</span></label> <input type="text" maxlength="60" name="name" id="edit-name" size="30" value="Reader" class="form-text required" /> </div> <div class="form-item" id="edit-mail-wrapper"> <label for="edit-mail">E-Mail Address: <span class="form-required" title="This field is required.">*</span></label> <input type="text" maxlength="64" name="mail" id="edit-mail" size="30" value="" class="form-text required" /> <div class="description">The content of this field is kept private and will not be shown publicly.</div> </div> <div class="form-item" id="edit-comment-wrapper"> <label for="edit-comment">Comment: <span class="form-required" title="This field is required.">*</span></label> <textarea cols="60" rows="15" name="comment" id="edit-comment" class="form-textarea resizable required"></textarea> </div> <fieldset class=" collapsible collapsed"><legend>Input format</legend><div class="form-item" id="edit-format-1-wrapper"> <label class="option" for="edit-format-1"><input type="radio" id="edit-format-1" name="format" value="1" class="form-radio" /> Filtered HTML</label> <div class="description"><ul class="tips"><li>Web page addresses and e-mail addresses turn into links automatically.</li><li>Allowed HTML tags: &lt;a&gt; &lt;em&gt; &lt;strong&gt; &lt;cite&gt; &lt;code&gt; &lt;ul&gt; &lt;ol&gt; &lt;li&gt; &lt;dl&gt; &lt;dt&gt; &lt;dd&gt;</li><li>Lines and paragraphs break automatically.</li></ul></div> </div> <div class="form-item" id="edit-format-2-wrapper"> <label class="option" for="edit-format-2"><input type="radio" id="edit-format-2" name="format" value="2" checked="checked" class="form-radio" /> Full HTML</label> <div class="description"><ul class="tips"><li>Web page addresses and e-mail addresses turn into links automatically.</li><li>Lines and paragraphs break automatically.</li></ul></div> </div> </fieldset> <input type="hidden" name="form_build_id" id="form-2c978e6c50749eb09ca17384ea9ab81c" value="form-2c978e6c50749eb09ca17384ea9ab81c" /> <input type="hidden" name="form_id" id="edit-comment-form" value="comment_form" /> <fieldset class="captcha"><legend>CAPTCHA</legend><div class="description">This question is for testing whether you are a human visitor and to prevent automated spam submissions.</div><input type="hidden" name="captcha_sid" id="edit-captcha-sid" value="81751580" /> <input type="hidden" name="captcha_response" id="edit-captcha-response" value="NLPCaptcha" /> <div class="form-item"> <div id="nlpcaptcha_ajax_api_container"><script type="text/javascript"> var NLPOptions = {key:'c4823cf77a2526b0fba265e2af75c1b5'};</script><script type="text/javascript" src="http://call.nlpcaptcha.in/js/captcha.js" ></script></div> </div> </fieldset> <span class="btn-left"><span class="btn-right"><input type="submit" name="op" id="edit-submit" value="Save" class="form-submit" /></span></span> </div></form>

No Articles Found

No Articles Found

No Articles Found

I want to begin with a little story that was told to me by a leading executive at Aptech. He was exercising in a gym with a lot of younger people.

Shekhar Kapur’s Bandit Queen didn’t make the cut. Neither did Shaji Karun’s Piravi, which bagged 31 international awards.